SEASIDE RENEWAL – OIL/PALETTE KNIFE – 30X40 – $1800
The latest of my architectural pieces this is really fun, and has an insane depth of texture. It feels like you could peek around any corner and see the water. And, are those people on the roof looking at the view???
Seriously, the texture of buildings that have been baking in the sun and surviving the winds and rains of harsh New England winters have a unique depth of character all their own. I am fascinated by those houses and storefronts that seem to hunker down for the bad weather, looking grim and grey, and then reemerge when the sun comes out, looking festive and full of life. Nowhere else is there the same feeling that the buildings carry on a life of their own once the tourists leave.
THE LATER YEARS OF ITALIAN PUTTI III
OIL 24 X 18
This image is the third of my Italian Putti that asks the question, “Where do all those cute cherubs go once they grow up?” A lot of them learn to play instruments as they cavort up in the ether, but they couldn’t all be rock stars in later life. This guy apparently pursued a musical career.
Once again the piece is heavily textured and uses the palette knife to create rough and smooth surfaces that lead to a sense of ambiguity. He has an etherial quality, but at the same time is current and of the real world. He is solid and transparent at the same time.
The work is also developed on a diagonal grid, much like the earlier pieces of the same title, but this guy has an entirely different color scheme. He is also done on a gessoed board which changes the nature of the finished piece. Without the springiness of a canvas surface, the palette knife becomes more aggressive when used this way.
The piece is available through Xanadu Gallery’s Studio Artist web site. Don’t forget to click on the image for an enlarged view.
THE LATER YEARS OF ITALIAN PUTTI
OIL 24 X 18
I just received notification that I was a finalist in the Artist Magazine Annual Competition. This piece was entered in the Abstract & Experimental category.
I was a finalist last year in the landscape category and am really psyched that I have, yet again, achieved recognition at such a high level. The winners will be featured in the December issue of the magazine, and my name will be listed.
Titled “The Later Years of Italian Putti II”, it is one of a series that I have been working on using palette knife and an underlying diagonal grid. I am really happy that this piece placed well in the competition, as it represents the direction that I am moving in my artistic development.
SIENA STROLL II
OIL 40 X 30
I love the newest of my Italian street scenes. This one is again from Siena, and reflects the ambiance of large crowds contained in small spaces.
I always found that if one is in a crowd like this, one can see the crowd, and the upper parts of buildings. The middle views of the surrounding buildings are blocked by the moving mass of people. So, that is what I render in my work. Plus I have always been fascinated by people and crowds in cities. Italy is the best place to observe and record people strolling and converging, and being themselves without haste.
Don’t forget to click on the image to see more detail.