MR MONOPOLY RETIRES

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MR MONOPOLY RETIRES
OIL ON GOLD LEAF
8 X 6
$800.00

This is an older piece that hangs in my studio and is still a favorite. Mr Monopoly and his monocle continue to amuse me because he is painted on gold leaf, and looks relaxed and unconcerned that the market is acting up!

Painting on gold leaf is a very different experience from painting on a gessoed surface. The slick quality of the leaf creates a surface that gives the paint more chance to move around, and act in unexpected ways.

This particular image is on a canvas board that has been gold leafed. The surface has more of a bite than other leaf surfaces that I have used. It is easier to control the pigments as they are laid down, but the shine of the gold that comes through is more subdued. I did a couple of pieces on this kind of surface, but find that I prefer the smoother surface of a gessoed board with the gold leaf as a base. That type of ultra-smooth surface is the same surface that I used to create a series that examined trees and their landscapes.

Mr Monopoly has that self satisfied look that comes with the robber baron attitude. It is rather nice that he has been reduced in size and made to look ordinary even though he is made of gold.

SEA WALL WITH PINES

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SEAWALL WITH PINES
OIL ON GOLD LEAF 12 X 16
SOLD

The paint isn’t even dry, but I couldn’t wait to show you all my latest work on gold leaf.

“Seawall with Pines” is a view out over Long Island Sound from Madison, CT.

The effect of painting trees on the gold leaf, is to keep them light and still achieve a sense of  solidity. I am doing an entire series of the lives of trees, this being the third. It is a very delicate balance of paint and visible gold leaf that determines the success of each piece.